![]() Or, maybe I should say I showed them how Alexa desaturates color with overexposure: once a hue passes a point at or near middle gray in brightness, its saturation locks and it only gets brighter. Several years ago, at an NAB focus group, I showed Sony the difference in how Alexa saturates color with overexposure vs. Remember that when your image in LOG mode the tools works in different way. add one more color transform node: linear to timeline gamma. adjust gain (this acts same as expose/iso) add color transform node: timeline to linear One more useful trick with LOG footage is that you can mimic Exposure(ISO) RAW slider with gain slider. This way you will get a reach colors and contrast but never get a clipping and ugly video look. add color space transform node to timeline and set input: as timeline and output matched to input in your generated LUT.Īdjust image with contrast + pivot sliders in the node located before LUT. ![]() This generated LUT will compress all tonal and color information without any clipping. If final image too dull or black is too clipped you can experiment Input/Output Range:Legal/Data, but most time its ok to leave it as is. output gamut: LC709 (actually i prefer Amira709 but some time ago Alexa-X-2 and Amira709 gamuts where removed from LUTCalc for unknown reason) output gamma: Alexa-X-2, Amira709 (developed by Arri) or LC709 (developed by Sony) input gamut: rec2020 or any other wide gamut you prefer (you need this conversation because native BMDfilm input color space is missed in LUTCalc) input gamma: Cineon or BMDfilm (i prefer work in Cineon gamma) I suggest to generate your own luts in LUTCalc. It's as easy as just turning on the 709 option in FCPX when working with log footage. If you are wanting a quick video (709) look and render then my first option will be your best bet. Honestly I always cut in FCPX as log and then send back to Resolve to do my final grade. Also there is a pure LUT loader aftermarket add on, which the name escapes me right now but you could google FCPX lut loader, which will allow for luts to be loaded and adjusted with FCPX native color tools. I haven't used it but I've heard good things.ģ. Also has color wheels similar to Resolve to manipulate the look to your liking. Color Final (FCPX add on) has the ability to load cube luts of your choosing. ![]() In the inspector column (top right windowed area with the file info) you can change the view from log to BMD 709, Arri, Sony, and I believe a few other options.Ģ. While cutting and you want to view the footage as how it will looked with a finished grade you have a few optionsġ. You can still edit in film (log) color space in FCPX. ![]()
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